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Works for piano
Works for piano
Amabilités
(1946-48) 8 pieces, partial creation by Monique
Mercier (1948, École Normale, salle Debussy-Pleyel). Publisher:
De Plein Vent. Performed again by Ana
Garcia Urcola at Le Triton (2003, Paris).
La jeune créole (1949).
La cage aux chiffres
(1948), fantasy for piano, won an award at
the French Festival Year (1950, London); members of the jury included
Arthur Honegger and Louis Aubert. The music publisher Peeters refused
to publish it ("ugly harmony").
Performed at the National Music Society by Evelyne Chaufour (1952), at
Varese (1964) by Guido Salvetti. Performed again by Ana Garcia Urcola
at Le Triton (2003, Les Lilas). De Plein Vent.
Imitations (1950- rev. 2000) 2 pieces.
Instantanés (1955) performed by Monique Mercier (1948, Paris), Enza Ferrari, (1964, Milan) Performed again by Carine Gutlerner at Le Triton (2003, Paris) - De Plein Vent.
Suite pour piano (1956) création par Jean-Paul Sevilla (1963, Varese, 1964, Milan, Paris). Performed again by Carine Gutlerner at Le Triton (2003, Paris) - De Plein Vent.
Objets (1958-62) 4 pieces.
Première sonate (1963) in 2 movements.
Danses de peu (1963) 6 pieces. Performed by Carine Gutlerner at Le Triton (2003, Paris) - Éditions De Plein Vent.
Orbitales (1970), Transe calme (1974) Performed in Italy (1975, Côme) by Enza Ferrari, Brussels (1975, Europalia) and Paris (1976, Passage du XXe siècle) Carlos Roque Alsina.
Alleluia (1985).
17 Inventions (1987-1989) partially performed in Italy (1989) and Marseille (1990) by Anne Piret, performance of Inventions inédites (2003, Ircam) by Dimitri Vassilakis.
Allusions (1992) 5 pièces.
Antienne (1995) - Delatour.
L'âge canonique (1952, , revised 1995) Performed by Carine Gutlerner at Le Triton (2003, Paris) - De Plein Vent.
Placet (1997).
Mélopée (1997).
Suite Implicite (1998) 3 movements.
Météorite et ses métamorphoses (2000-2001), 31 variations and a coda. Performed in Brussels (2002), Paris (2003), partially at Ircam (2006) by Thérèse Malengreau - De Plein Vent.
Petite Suite Équilibrée (2001) 3 sequenced movements - Delatour.
Lignes (2001).
Broutilles (2002) 12 pieces.
Auras (2004) 5 pieces.
Mouvances (2004) 3 pieces.
Espaces intérieurs (2005) 2 pieces.
12 Études (2001-2006).
Chamber music
Chemin de nuages (1948) mélodie pour soprano et piano, poem by Paul-Jean Toulet, performed by Micheline Bertaux and André Riotte (1948, Paris), and at Le Triton (2003, Paris) byKaoli Isshiki and Carine Gutlerner - De Plein Vent.
Berceuse pour un conte de fées (1948) for cello and piano, performed by Bernard Fonteny and André Riotte (1948, Paris), and at Le Triton (2003, Paris) by Anne-Cécile Fonteny and Ana Garcia Urcola - De Plein Vent.
Suite guerrière (1952) for two pianos. Performed at the National Music Society (1954) by Jacques Casterède and Christiane Augustin., and by M-C et F. Doublier (1970, Paris) - Delatour.
Trio à cordes (1954) performed by the Pasquier trio (Schola Cantorum, 1957, École Normale, 1958) The New Art String Trio (1996, New-York), the Orphée trio at Le Triton (2003, Paris).
Petite suite pour flûte seule (1955) 4 movements.
Premier quatuor à cordes (1957) won an award from the Amis de la Musique de Chambre (1957, Paris), performed in Ispra (Italie), Dublin, Paris, Lyon (1963), and Londres (1954) by the Margand quartet.
Dualités( 1963) for violin and piano, performed by Michel Chauveton and Francisco De Brito (1964, Ispra, Venise, Varese), Paris (1965, Théâtre des Champs-Elysées). Spain, the United States (1965) and Italy, piano Jacques Lagarde (1966) - Delatour.
Hypnoses (1963) five melodies for mezzo-soprano and piano with lyrics by André Riotte. Performed by Rashida Agosti and Enza Ferrari (1964, Milan).
Lettera amorosa (1967) cycle of 11 melodies for baryton and piano to words by René Char.
Multiple (1983) second string quartet, with multiple solutions, performed in Paris (1988, Perspectives du XXe siècle) by the Sarrebruck quartet.
Opus incertum (1984) for violin and piano.
Le miroir à trois faces (1989) for trumpet and piano.
Suite explicite (1974, revised 1990) for clarinet only, performed by E. Zappatini (1963, Milan) 1st performed in Belgium (Brussels, Europalia France, 1975) by Michel Portal. Score completed in 1990 (5 movements): partially performed by Didier Beloeil (1991, Festival de musique contemporaine d'Evreux) - Delatour.
Le coq et la perle (1950, revised 1995) for mezzo-soprano and piano, to words by Max Jacob. Performed at Le Triton (2003, Paris) by Kaoli Isshiki and Carine Gutlerner - De Plein Vent.
Small ensembles, percussions
Jubilation heuristique (1968) for mezzo-soprano, clarinet, trumpet, marimba and electro-acoustic devices. Entremonde Gallery (1968, Paris).
Anamorphoses (1977) for baryton and eight musicians to words by Marc Rombaut. Performed in Belgium (International Congress "Le récit et sa représentation") by Musique Nouvelle, conducted by G.E. Octors, (1977, Saint-Hubert, 1977 ; 1978, Théâtre 140 , Brussels, 1978). 1st performance in France (Nantes, Angers, 1984, Festival Musiques du XXe siècle) by the Alternance ensemble, conducted by Lukas Pfaff - De Plein Vent.
Partitions-Gouffres (1987) for four percussions.
Arcanes (1990) for 1 to 3 percussionnists, commissioned by the Bagnolet Conservatory.
Jubilation (1992) for 12 strings, performed by the Stringendo ensemble, conducted by J. Thorel. (1992, Saint Julien-le-Pauvre Paris).
Abolis bibelots (1994) for 5 instruments, commissioned by SFAM.
Rymes (2003) for soprano and 6 instruments, to poems by Dame Pernette du Guillet.
Orchestra, orchestra and vocals
Orchestra, orchestra and vocals
Abysses (1948, revised 1962) etude for symphony performed (1964, Ispra, Italy) by the Orchestre de la Radio Svizzera Italiana, conducted by J. Jakus. Germany, conducted by E. Jochum (1966, Duisbourg).
Suite Guerrière (1952 - orchestration 2004).
L'âge canonique (1952 - orchestration 2005) ) for wind ensemble.
Hypnoses (1967) version for mezzo-soprano and orchestra.
La Bibliothèque de Babel
(1985) inspired by Jorge Luis Borgès, for soloist, soprano,
baryton, brass quintet, percussions, two groups of vocalists and wind
section, commissioned by the State (Maurice Fleuret). ). Performed
in Nantes and Angers (1985, Festival Musiques du XXe siècle).
Soloist: Jean Gillibert,
Soprano : Mireille Patrois
Baryton : Jacques Bona.
Nantes brass quintet and percussion ensemble, Schola Cantorum,
Nantes and University Choir of Angers, conducted by Jean-Claude
Brehu, , Union philharmonique de Nantes, conducted
by Michel Berger.
Conducted and coordinated by Jenö
Rehak.
Palinodie (1991) for wind section, State commission. Performed by the Harmonie - Ecole Régionale, conducted by Michel Peus, (Perpignan Festival 1992).
Le Grand Relief (1994) for orchestra, commissioned by UDCM 93. Performed by the Jeune Philharmonie de la Seine-Saint-Denis, conducted byH.-C Fantapié (1999, Noisy-le-Sec).
Invocations (2002) for orchestra.
Fanfares (2004) 6 pieces for wind ensemble.